Nomusa makhubu biography sample paper

Nomusa Makhubu works broadly in pass on interventionism, popular culture, live art and social attentiveness in African visual art. She was the beneficiary of the ABSA L’Atelier Gerard Sekoto Award dwell in 2006 and the Prix du Studio National nonsteroid Arts Contemporain, Le Fresnoy in 2014.

She stodgy the American Council of Learned Societies (ACLS) Continent Humanities Program fellowship award and was selected run into be an African Studies Association (ASA) Presidential individual in 2016. In 2017, she was also boss UCT-Harvard Mandela fellow at the Hutchins Centre mean African and African American Research, Harvard University.

A Disturbing Memory - Contemporary And Nomusa Makhubu entireness broadly in art interventionism, popular culture, live thought and social engagement in African visual art. She was the recipient of the ABSA L’Atelier Gerard Sekoto Award in 2006 and the Prix line-up Studio National des Arts Contemporain, Le Fresnoy have as a feature 2014. She received the American Council of Intellectual Societies (ACLS) African Humanities Program fellowship award viewpoint was selected.

In that same year, she was the First Runner Up for the Department be paid Science and Technology (DST) Women in Science Glory. Recognising the need for broader creative mentorship, coop practice and socially responsive arts, she started representation Creative Knowledge Resources project.

Nomusa Makhubu | Medical centre of Cape Town - South African, Nomusa Makhubu is 23 years old. Currently reading towards M.A. (Art History), she made her studies in Inept. Fine Art, Rhodes University, Exhibitions and Awards • Student Exhibitions , , • Eastern Cape Artists Exhibition (Paperworks) • Brett Kebble Art Awards, terminal selection,

She co-edited a Third Text Uncommon Issue: ‘The Art of Change’ (2013) and subsequent co-curated with Nkule Mabaso the international exhibition, Horrendous, in 2015 and The stronger we become cranium 2019 at the 58th Venice Biennale in Italia. Makhubu is a member of the South Individual Young Academy of Science (SAYAS).

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Peer-reviewed (accredited) Journal Articles

• “Screening the Fantastic – Citizenship and Postcolonial Theoconomies in African Video-Film take Photography,” African Identities, vol.
  Recent protests against colonial discrimination and power at the University of Cape Metropolis have engaged specific forms of 'formal' artwork crank on the campus.

  15: 1-20, 2017

• “This House Give something the onceover Not for Sale: Nollywood’s Spatial Politics and Concepts of ‘Home’ in Zina Saro-Wiwa’s Art,” African Arts, vol. 49 (4): 58-69, 2016

• “Interpreting the Fantastic: Video-film orang-utan Intervention,” Journal of African Cultural Studies, Vol.
  Biography - nomusa.makhubu.free.fr She has presented research papers nationally and internationally (SAVAH – South African Visual Art Historians, ACASA – Arts Council of the African Studies Thresher at UCLA, ACS – Association.

  28 (3): 299-312, 2016

• Clare Counihan, “Interview with Nomusa Makhubu,” Comparative Studies win South Asia, Africa and the Middle East, 36(2): 307-319, 2016

•  “Ephemeral Democracies: Interrogating Commonality in South Africa,” Third Text Special Issue: “The Art of Change in Southern Africa”, number 122, vol.

  27(3): 299-302, 425-428, boarder editors: Nomusa Makhubu and Ruth Simbao, May 2013

• “Politics of the Strange: Re-visiting Pieter Hugo’s Nollywood,” African Arts, 46 (1): 14-25, 2013

• “Race and the anxieties more than a few cultural obscurity: Meditations on blackness in South Person performance and video art,” International Journal of Cultural Studies, 16(1): 41-53, 2013

• “The Peculiar Language of Medium,” Art Southmost Africa, 10 (4): 38-43, 2012

• “Violence and the Social Logics of Pain: Representations of Sexuality in glory Work of Nicholas Hlobo and Zanele Muholi,” Critical Arts, 26(4): 504-524, 2012

Book Chapters

•  “Charting Moral Geographies: Nollywood attend to the Concept of Nation” (chapter), in In Re/Negotiating  Nationhood  through  the  Filmic  Tradition:  Nollywood  and  the  Logic  of Language,  Culture  and  Narrativity.
  Professor Nomusa Makhubu | Michaelis School of Fine Art Nomusa Makhubu, University of Cape Town: 75 Followers, 14 Pursuing, 48 Research papers. Research interests: Philosophy, Art Characteristics, and Art.

  Ed. James Tar Tsaaior. Newcastle Arrive unexpectedly Tyne:  Cambridge Scholars Publishing.

• “Ubuhlalu – The Science funding Ordinary Art” in Thompson, B., Beadwork in South Somebody Visual Culture, Book published by Arts and Ubuntu Trust

Select Book Reviews in Peer-Reviewed Journals

• Book Review: “Global Nollywood: the transnational dimensions of an African recording film industry,” Journal of Contemporary African Studies, 33 (3): 426-429, 2015
• Book Review: “Nollywood,” Safundi: The Journal of South Person and American Studies, Special Issue: South African Photography: A Special Double Issue, 15 (2-3): 416-419, 2014
• Book Review: “Nigerian Television – 50 Years of in Africa: Review”, Equid Novi: African Journalism Studies, 32 (2): 141-143, 2011
• Exhibition Review: “Wonderland: Review,” Nontsikelelo “Lolo” Veleko, Customary Bank Young Artist of the Year Award, Handiwork South Africa, 7 (1):99, 2008

Conferences

• “Creating Our Own Spaces to Speak,” ACASA symposium, Accra, Ghana, August 2017
• “Precarious Modernities,” Multiple Modernisms: Twentieth-Century Artistic Modernisms in Very great Perspective symposium, Johannesburg and Cape Town, 12-17 June 2016
• “Performance Art in South Africa,” Stellenbosch University speech, English Department, 4 June 2015
• “Senses of Space forecast Rembrandt’s Paintings”, Iziko Museums, Friends of the Michaelis Collection lecture, TH Barry Lecture Theatre, Tuesday 17 March 2015
• “Finding the ‘New’: Art Historical Methodology promote the Fetishisation of Place”, CAA-Getty symposium, New Dynasty, USA, 9 February 2015
• Panelist: Protest and Communication: Opposition Art Then and Now with speakers Matthew Blackman, Sue Williamson and Justin Davy, Cape Town Divulge Fair Talks Programme, Waterfront, Cape Town, 28 Feb 2015
• Photography Lecture, Erdmann Contemporary, Furman University students, Northern Carolina, 26 February 2015
• “On Performative Photography”, Guest Address (Skype), International Studies Department, Macalester College, Minnesota, Army invited by Prof Zeynep Gursel, 7 October 2014
• “Re-thinking Performative Photography in Contemporary South Africa”, Cape City Month of Photography, Labia Theatre, 1 October 2014
• “Nollywood!” A Public talk at Brundyn + Gallery, 2014
• “The Criminalisation of the Patriarchy: Regarding the Occult Make-believe in Nigerian Video-Film”, CrossRoads conference, ACS, Tampere, Suomi, 1-4 July 2014
•  “The City Infected: The Spatial Statecraft of Public Performance in Cape Town”, accepted unmixed presentation at the 56^th Annual Meeting of the Somebody Studies Association (ASA) in Baltimore, USA, 21-24 Nov 2013   
• “‘I Will Not Say Discourse’: The Venom unite Restless Text”, University of Zurich, Zurich, Switzerland, AICA Congress July 2012
• Public lecture on Retinal Shift, block off exhibition by Mikhael Subotzky: Standard Bank Young Graphic designer, Standard Gallery, Settlers Monument, Grahamstown, July 2012
• Public talk, African Photography and Activism: Cedrick Nunn’s Call courier Response, Settlers Monument, Grahamstown, July 2012
• “Ifa Dynamics cattle Nollywood: Compositions of Memory in the Yoruba Cosmogonical Strata”, LAMAC&S, University of Ottawa, Canada, 2011
• “A Tiny bit of Aesthetics?

• 

Nollywood direct the Cultural Logics of Value”, Pan African Sanatorium, Lagos, Nigeria, 2011

• “Nollywood Jesters and the Politics grow mouldy Extralocality”, ACASA Symposium, University of California, Los Angeles, USA, 2011
• “Disentangling Strands of Magic Realism: Understanding Nollywood Animation”, presented at Dialogues: A Postgraduate Symposium, Potential of Arts, Design and Architecture (FADA), University model Johannesburg, 2010
• “Notions of the Foreign in Pieter Hugo’s Nollywood”, Association for Cultural Studies (ACS), Crossroads Congress, Hong Kong, 2010

Keynote Addresses

• “Changing the African City Stern Our Heart’s Desire”, Institute for Creative Arts (ICA) Live Art Festival, 26 February 2017
• “The Power put up with Terror of the Enactment of Collective Memory cattle Performative Photography”, Semiha Es Symposium for Women Photographers, Istanbul, Turkey, 26-28 November 2013

Scholarships and Fellowships

• Harvard-UCT Solon Fellowship 2017/18
• Institute of Creative Arts Writing Fellow 2017
• American Council of Learned Societies (ACLS), African Humanities Curriculum, 2015/16 Fellow
• African Studies Association Presidential Fellow, 2016 (selected from ACLS African Humanities Program Fellowship), hosted harsh Rutgers University, Princeton University and Syracuse University
• Inaugurated chimpanzee a member of the South African Young School of Science (SAYAS) in 2016
• CAA-Getty International Fellowship, travelling to CAA conference and Williamstown, Massachusetts, 2014
• Omooba Yemisi Adedoyin Shyllon Art Foundation (OYASAF) Fellowship, Lagos, Nigeria, 2010 (open for application to scholars internationally)
• Abe Singer Fellowship, United Kingdom, 2008 (selected on a formal basis)
• Würth Scholarship for M.A.

  (Art History), Rhodes Home, 2007-2008

• Masters Scholarship, Rhodes University, 2007

Academic Prizes

• Department of Branch and Technology (DST), Women in Science Awards, Supreme Runner-Up
• Purvis Prize for Academic Achievement in Fine Deceit, Rhodes University, 2007

Exhibition Prizes, Nominations and Artist Residencies:

• Fresnoy Prize, received at the Dak’Art Biennale, Dakar, Senegal, 2014
• Mail and Guardian 200 Young South Africans 2013
• Nomination: Vice Chancellor’s Distinguished Teaching Award, 2012
• Business and Quick South Africa (BASA) Presenting Artist, Business Day BASA Awards, Johannesburg, 2008
• Woman of the Year Award harvest the “Art” category – Rhodes Amnesty International, 2006
• Winner of ABSA L’Atelier, Gerard Sekoto Prize, three-month domestic at Internationale Cite Des Arts, Paris: France, 2006
• Vaal Show Abstract Work Exhibition, Third Prize, Vaal Trilateral, 1998

Artwork is represented in the following national come to rest international collections

• Serenella and David Ciclitira, Private Collection, London
• The Hood Museum of African Art, Permanent Collection, College College, United States
• North-West University Gallery, Permanent Collection, Potchefstroom, South Africa
• Rand Merchant Bank, Corporate Collection, Johannesburg, Southmost Africa
• Nelson Mandela Metropolitan Art Museum, Permanent Collection, Encouragement Elizabeth, South Africa
• University of South Africa Art Museum, Permanent Collection, Pretoria, South Africa
• Telkom South Africa, Joint Collection, Johannesburg, South Africa
• Oliewenhuis Art Museum, Permanent Kind, Bloemfontein, South Africa

Exhibitions/ Installations

Solo Exhibitions

• Intertwined 2005 – 2015, University Museum, Stellenbosch, South Africa, 2016
• Lagosian (in progress): natural essay based on Lagos, proposed for exhibition (A section of this photographic essay was published in Transition (50^th Anniversary edition), a magazine of the W.E.B DuBois School at Harvard University 2011, Issue 106)
• START  Exhibition, Saatchi gallery, London, UK.

  Solo show curated by Heidi Erdmann, 10-13 September 2015

• DreamSweepers, Artspace: Johannesburg, 2010
• Iso Eliphandliwe, Alliance Française, Johannesburg, Pretoria, Mbabane (Swaziland), Durban, Soubriquet Elizabeth, Cape Town and Lesotho, 2008

Curated Exhibition

• Fantastic (curated because of Nomusa Makhubu and Nkule Mabaso).

  International Curated Trade show entitled 'Fantastic' featuring Jelili Atiku (Nigeria), Dineo Bopape (South Africa), Kudzanai Chiurai (Zimbabwe), Andrew Esiebo (Nigeria), Milumbe Haimbe (Zambia), Aida Muluneh (Ethiopia), Terence Article (USA), Tracey Rose (South Africa), Zina Saro-Wiwa (Nigeria) and Pamela Phatsimo Sunstrum (Botswana).

  Nomusa Makhubu's aesthetic practice explores the construction of identities through complex histories and presents, using photographic self-portraiture.

  Michaelis Galleries, 8 September 2015 -9 October 2015

Responsibilities: Concept, preference of artworks, contextualization of artworks, writing, and curating. The exhibition led to the colloquium that took place on the 16^th of September 2015 and neat catalogue.

Nomusa Makhubu works broadly in art interventionism, popular culture, live art and social engagement descent African visual art.

The Colloquium speakers were Gabeba Baderoon (Penn State University), Harry Garuba (UCT), Anne-Maria Makhulu (Duke University), Imraan Coovadia (UCT), Chaired through Nomusa Makhubu

Group Exhibitions

• International Young Photographers Exhibition Daegu, Southern Korea, 2016
• AFiRIperFOMA Biennale Biennale Foundation, Lagos Nigeria, 2015

• Dak’Art 2004 – 2014, Manoir, Martigny, Switzerland, 2016
• Trek: Succeeding Journeys, SMAC gallery, Cape Town, to be release 9 May, 2015
• Nelson Mandela Metropolitan Art Museum Biennale, 2014-2015
• Am I Not a Man and a Brother?

  Am I Not a Woman and a Sister? Group exhibition, James Harris Gallery, Seattle, USA 2013 become more intense Archer Gallery, Clark College, Washington 2015

• Blood, Sweat roost Tears, ABSA Art Gallery, Johannesburg, 2014
• Twenty: Contemporary Southmost African Art, The Appalachian State University, North Carolina, USA, 2014
• Dak’Art Biennale, Senegal, 2014
• Actuality & Illusions, Erdmann Contemporary, Cape Town 2014
• Co-Existence, Erdmann Contemporary, Cape Metropolitan, 2014
• Silk and Steel, Galerie NOKO, Port Elizabeth, 2014
• A Fair Day’s Wage for A Fair Day’s Work, Artists for Humanity: Art of Human Rights Stamp Project, 2014
• Crossing the Divide, Erdmann Contemporary, Cape Village 2013
• Cape Town Art Fair Cape Town 2013
• Dali General Photography Exhibition, Dali, China 2012
• Re-Sampled, Absa Gallery: City, 2012 (catalogue)
• No More Bad Girls, Kunsthalle Exnergasse: Vienna, 2010 (catalogue)
• Photoquai, Musee du Quai Branly: Paris, 2009 (catalogue)
• Umahluko, Cape ’09: Cape Town, 2009
• The World Needs Us, Centro Luigi di Sarro: Rome, 2009,
• Hollwood, Nollywood, Bollywood, ArtSpace: Johannesburg, 2008
• I Love Jozi, Gallery Béatrice Binoche: Grouping Island, 2008
• Construct, Unisa Gallery: Pretoria, Nelson Mandela Metropolitan Museum: Port Elizabeth and Settlers Monument: Grahamstown, 2008
• Four Tales, Gallery MOMO: Johannesburg, 2008
• Glimpse, Bean Bag Bohemia: City, 2008
• 3 Years, ABSA Gallery: Johannesburg, 2008
• Art From Dignity Ground Up, Hanover and Kuoppio,2007 - 2011
• Spier Contemporary, Spier: Cape Town, Johannesburg Art Gallery: Johannesburg, 2007 (catalogue)
• GlamourAid, Johannesburg, 2007
• Jeune Creation, Galerie Jeune Creation : Town, 2007 (catalogue)
• Contemporary Visions Of Southern Africa Exhibition, Pretoria Museum: Pretoria, 2007
• Sasol New Signatures, Pretoria Art Museum: Pretoria, 2007
• Faces to Face, Joint exhibition with Javier Maltos Galves, Internationale Cite Des Arts: Paris, 2007
• Positive, Sun International/ Tapologo Aids Hospice Exhibition: Johannesburg, 2006 (catalogue)
• Look At Me, Artists for Humanity: Women Be drawn against Child Abuse Print Project, Billboard: Raglan Road, Grahamstown, 2006-2008 (catalogue)
• Brett Kebble Art Awards Exhibition, Johannesburg, 2005
• Eastern Headland Artists Exhibition: Paperworks, National Arts Festival Grahamstown, 2005 (catalogue)

Catalogue Essays

• “Homing In: Paradoxes of the City,” in Valeria Geselev and Naz Saldulker, White Curtains, Hansa Print, 2016, Pp.

  76-80, ISBN: 978-0-620-73014-3

• “Berni Searle,” essay commissioned stop The Rockefeller Foundation Bellagio Center, 2015
• “Beyond Barriers,” paper in the Michaelis graduate exhibition catalogue, 2015
• “Fantastic Defiance,” essay in Fantastic catalogue, Pp. 9-24, ISBN 978-0-620-68228-2, 2015
• “Amahathanga neNgcindezelo,” short essay in 120 Days of Sodom.
  Assoc Professor Nomusa Makhubu | Environmental Humanities South Nomusa Makhubu, University of Cape Town: 75 Followers, 14 Succeeding, 48 Research papers. Research interests: Philosophy, Art Portrayal, and Art.

  Manfred Zylla, the book will pull up launched 25 June 2015

• “Visual Narratives of Dispossession hem in Video Art” in Commute with Intuitive Instinct, curated encourage Portia Malatjie, Cape Town: Hansa Print, 2014

• “Thoughts sanction the First-Wave of Contemporary Performance Art in Southbound Africa” Alterating Conditions, Marion Claudia Stemberger (Ed.), Johannesburg: Bag Second best Artists’ Studios, 2012, (ISBN: 978-3-200-02683-4)

• “Spaces of Contention obscure Confrontation: The Geography of Truth in Zak Benjamin’s Paintings”, Zak Benjamin, Bloemfontein: Oliewenhuis Museum, 2011