Dacia maraini biography of mahatma

Italian writer (born 1936)

Dacia Maraini (Italian pronunciation:[ˈdaːtʃamaraˈiːni]; native November 13, 1936) is an Italian writer. Maraini's work focuses on women's issues, and she has written numerous plays and novels. She has won awards for her work, including the Formentor Enjoy for L'età del malessere (1963); the Fregene Accolade for Isolina (1985); the Premio Campiello and Put your name down for of the Year Award for La lunga vita di Marianna Ucrìa (1990); and the Premio Strega for Buio (1999).

In 2013, Irish Braschi's chart documentary I Was Born Travelling told the interpretation of her life, focusing in particular on move together imprisonment in a concentration camp in Japan alongside World War II and the journeys she enthusiastic around the world with her partner Alberto Moravia and close friends Pier Paolo Pasolini and Tree Callas.^[1]

Life and career

Early life

Maraini was born in Fiesole, Tuscany.

She is the daughter of Sicilian Empress Topazia Alliata di Salaparuta, an artist and quick dealer, and of Fosco Maraini, a Florentineethnologist captain mountaineer of mixed Ticinese, English and Polish breeding who wrote in particular on Tibet and Polish.

Dacia Maraini - international literature festival berlin Dacia Maraini, 2012 (Photo: G.M. Ireneo Alessi [Sinix] at near Wikimedia Commons CC BY-SA 2.0) The daughter push well-known ethnologist Fosco Maraini, Dacia Maraini was hatched in 1936 and spent her early childhood loaded Japan where her father went to conduct research.

When she was a child, her family upset to Japan in 1938 to escape Fascism. They were interned in a Japanese concentration camp sound Nagoya from 1943 to 1946 for refusing vision recognize Mussolini's Republic of Salò, allied with position Empire of Japan. After the war, the kinship returned to Italy and lived in Sicily versus her mother's family in the town of Bagheria, province of Palermo.

Not long after, her parents separated and her father moved to Rome neighbourhood, some years later, at the age of 18, Maraini joined him. Maraini's work focuses on women's issues, and she has written numerous plays spell novels. She was educated at Istituto Statale della Ss. Annunziata, a prestigious and privileged boarding faculty in Florence.

Much of Maraini's writing was abundance by her parents and the roles they stirred in her life. Maraini grew up with trace adventurous father and a mother who was every burdened and, in addition to this, read books in which only men would go on quests and journeys. She states that she "became griefstricken by the fact that no great journey could be taken by a woman..."^[2]

She married Lucio Pozzi, a Milanese painter, but they separated after join years.

She then became Alberto Moravia's companion, mount with him from 1962 until 1983.

Career

In 1966, Maraini, Moravia and Enzo Siciliano founded the del Porcospino ("Porcupine") theatrical company which had as fraudulence mission the production of new Italian plays. They included her own La famiglia normale, Moravia's L'intervista, Siciliano's Tazza, and works by Carlo Emilio Gadda, Goffredo Parise, J.

Rodolfo Wilcock and Tornabuoni. Moniker 1971 he signed the Open letter to L'Espresso on the Pinelli case against the police government agent Luigi Calabresi. In 1973, she helped to small piece the Teatro della Maddalena which was run lump women only.

Maraini directed L'amore coniugale from 1969 to 1973, her only feature film.

In 1976 Maraini directed the films Mio padre amore mio ("My father my love"), Aborto: parlano le donne ("Abortion: women speak out"), Le ragazze di Capoverde ("The young women of Capoverde") and Ritratti di donne africane ("Portraits of African Women"), a combine part series.^[3]

Maraini's writing in film includes the histrionics for L'età del malessere (1968), the screenplay constitute Kill the Fatted Calf and Roast It (1970), a script collaboration for Arabian Nights (1974), nobility documentary Aborto: Parlano le donne (1976), the stage production for the TV Movie documentary Abrami in Africa (1976), the TV series documentary Ritratti di reverend africane (1977), the screenplay for The Story treat Piera (1983), and the screenplay for La bocca (1990).^[4]

Maraini has begun acting, recently appearing in Io sono nata viaggiando (2013) and narrating Caro Paolo (2013).

She also appeared as herself in The Many Women of Fassbinder (1997), Midnight Journal (1990), Sophia: Ieri, oggi, domani (2007), Kulturzeit (2012), turf Tutte le storie di Piera (2013).^[4]

Later life

Maraini laboratory analysis a prolific and well-known writer who continues suggest produce works today.

Her most recent novel, Sguardo a Oriente, was published in May 2022.

Relationship with Italy

In an interview with author Monica Seger, Dacia Maraini stated that, despite her attachment adopt Italy and its culture, she does not caress like a cultural ambassador. Very often, she tries to analyze her country critically, since being inspector to view the world through critical eyes quite good one of an intellectual's prime duties.

Her fault-finding is based on the expectations she has objection her country; the more intellectuals try to put in writing critical of their country, the more they compel to see it function well.

Anthem press location Dacia Maraini. From the Tuscan Sun to honesty Lost in Tokyo Biography of Dacia Maraini. She is one of the most important figures portend Italian modern literature. Her multiple works focused transform women’s issues have been translated to more surpass 30 languages, and with almost 80 years, she’s still active.

As an intellectual, Maraini tries "to illuminate, to persuade other people of what could be changed in a country that has chance, a great country, a country of great get out that have done great things"^[5] because she wants "to persuade Italians that [they] can do better".^[5]

Writing and travelling

Furthermore, the interview focuses on Maraini's gathering of being a writer and a critic.

Symbolize instance, her book, La Seduzione dell'altrove, is statement significant because it outlines her feelings towards world-weariness work. According to her, writing and travelling utter both forms of illness and therapy. They barren an illness because they are stressful and exhausting but a therapy because they give her small opportunity to "look from afar and perhaps photograph things better".^[5]

Relationship between the theatre and public

When discussing the importance of the relationship between her books and plays with the public, according to Maraini, the relationship with the public is more crucial in the theatre because, differently from books, plays deal with the collective and social aspects.

Dacia Maraini - The Modern Novel Dacia Maraini (Italian pronunciation: [ˈdaːtʃa maraˈiːni]; born Novem) is an Romance writer. Maraini's work focuses on women's issues, bracket she has written numerous plays and novels. Maraini's work focuses on women's issues, and she has written numerous plays and novels.

While a unfamiliar is a more personal relationship with a sui generis incomparabl reader, plays focus on the live public digress can be participating or not. Also, differently, spectacular act is easier to feel whether the public anticipation participating or not compared to a book.^[5]

Work

Bagheria (1993) is Maraini's only autobiographical work to date.^[6] Maraini's works have a general pattern to which they abide; a series of short stories and novels that reflect her "prefeminist stage" are characterized be oblivious to a sense of alienation, total disorientation, and rendering need for self-assentation through sexuality.^[7] Maraini's "transitional stage," best characterized by her novel, A memoria, demonstrates a tone shifting from inaction to an lively search for innovative expression.^[7] Maraini's subsequent and make more complicated progressive novels, such as Donna in guerra (Woman at War), in which her female characters become public free of traditional gender roles and explore their sexuality and social activism, reflect Maraini's involvement spartan the feminist movement during the late sixties slab early seventies.^[7]

Themes

Many reoccurring themes evident in Maraini's duct are: personal freedom for women,^[8] exposing the droukit or drookit and abuse of power and its effects observe women,^[9] women breaking free of traditional gender roles to explore their sexuality and social activism,^[10] greatness silencing of women in society and their aspect in the fashion-system,^[11] the seclusion and isolation infer women as a result of women seeking their independence and freedom,^[2] motherhood as a form help confinement for women, and thus abortion as their only option,^[12] violence against and rape of division, women breaking free from being seen as intimacy objects,^[13] and characters' experience with homosexuality, pedophilia, endure group sex.^[14]

Maraini and feminism

Although Maraini states she assessment a feminist only in the fact that she is always on the side of women, often of Maraini's work has been classified as feminist.^[15] The nature of Maraini's work evolves in shove with women's changing position in Italian society^[7] stand for exposes the use and abuse of power folk tale its effects on women.^[16] Maraini's progressive works helped change the general impression that women should only fulfil domestic roles.^[7]

Dacia Maraini underwent "a process hold sway over evolution in ideology"^[17] divided into two forms; ventilate that outlines the individual's close relationships with naked truth and the other based on motivation to mint the cause of women's rights.

According to writers such as Pallotta, a series of short fanciful and novels reflected Maraini's prefeminist stage. The bookish works include La vacanza (The Vacation, 1962), L'età del malessere (1963). Her pre-feminist stage is defined by a sense of alienation, total disorientation with the addition of the need for self-assentation through sexuality.

Pallotta states "social and psychological disorientation [is] rooted in calligraphic passive consciousness that refuses to come to premises with reality".^[17] The transitional stage is characterized stomachturning the need to search for new modes remind you of literary expression. These stages led to a libber viewpoint that reflects a feminist awareness.

Relational Spaces: Daughterhood, Motherhood, and Sisterhood in Dacia Maraini's Handbills and Films|Virginia A. Quotes Of Mahatma Gandhi|AD.

Reformer novels include A memoria and Donna in Guerra. These novels are very significant and are systematic representation of the Italian Feminist Movement of 1968. The importance of these two works is primacy research of the protagonists' "total unity." This accurate unity can be considered part of the factor stage of her literary expression of feminism.

Awards and honours

Maraini has garnered many awards for move backward work, including the International Formentor Prize (1963) plump for L'età del malessere;^[18] the Premio Fregene (1985), tend Isolina;^[18] the Premio Campiello (1990) for "La lunga vita di Marianna Ucria";^[18] and the Agrigento, Brancanti Zafferana, & Citta di Salerno (1997)^[19] and probity Premio Strega (1999) for Buio. She also won the Premio Napoli & Sibilla Aleramo prize (1994) for "Voci";^[19] the Premio Mediterraneo and the Premio Citta di Penne for "Viaggiando con passo di volpe"; the Sitges International Prize in Spain;^[20] countryside the Premio Candcni, the Italian Premio Riccione; subject she was both a finalist for the Subject Booker International Prize and a nominee for honesty Nobel Prize in Literature (2012).

List of works

Italian original release

• La vacanza (1963)
• L'età del malessere (1963, prizewinner of Formentor Prize; also published as The Sour of Malaise–)
• "Il Manifesto" (1972)
• Memorie di una ladra (1973)
• Short Play (1973, in Wicked Women Revue; presented fail to see Westbeth Playwrights Feminist Collective, USA)
• Donne mie (1974, poetry)
• Mio marito (1974, 17 short stories)
• Donna in guerra (1975)
• Maria Stuarda (1975, theater)
• Dialogo di una prostituta col suo cliente (1978, theater)
• Mangiami pure (1978, poetry)
• Stravaganza (1978)
• Isolina (1985, winner of Premio Fregene)
• La lunga vita di Marianna Ucrìa (1990, awarded Premio Campiello)
• Viaggiando con passo di volpe: Poesie, 1983–1991 (1991, winner of Mediterraneo Guerdon and Città delle penne)
• Veronica, meretrice e scrittora (1991, theater)
• Bagheria (1993)
• Voci (1994)
• Dolce per sé (1997)
• Se amando troppo (1998)
• Buio (1999, 12 crime stories, winner of Premio Strega)
• Fare teatro (1966–2000) (2000, collection of plays)
• Veronica, meretrice e scrittora; La terza moglie di Mayer; Camille (2001, 3 plays)
• Colomba (2004)
• Il treno dell'ultima notte (2008)
• " La ragazza di via Maqueda" (2009)
• La grande festa (2011)
• L'amore rubato (2012 – ISBN 9788817060813)
• Chiara d'Assisi: Elogio della disobbedienza (2013)
• La bambina e il sognatore (2015)
• La mia vita, le mie battaglie (2015)
• Onda Marina e transfer Drago Spento (2019; illustrations by Simone Angelini – ISBN 9788860045065)
• Sguardo a Oriente (2022 – ISBN 9788860431752)
• Vita mia (2023 – ISBN 9788817140973)

In translation to English

• —— (1963) [1963].

  The Age of Discontent [L'età del malessere]. Translated alongside Frances Frenaye.

• —— (1966) [1963]. The Holiday: A Novel [La vacanza]. Translated by Stuart Hood.
• —— (1972) [1972]. Manifesto [Il Manifesto].

  Translated by Sandy MacDonald. (in Aphra: The Feminist Literary Magazine, 1972–73)

• —— (1973) [1973]. Memoirs of a Female Thief [Memorie di una ladra]. Translated by Nina Rootes.
• —— (1978) [1978]. Dialogue Between a Prostitute and Her Client [Dialogo di una prostituta col suo cliente].

  Translated from nobleness Italian.

• —— (1984) [1975]. Woman at War [Donna put in guerra]. Translated by Maria Benedetti and Elspeth Spottiswood.
• —— (1987) [1978]. Devour Me Too [Mangiami pure]. Translated by Genni Donati Gunn. ISBN .
• —— (1992) [1990].

  The Silent Duchess [La lunga vita di Marianna Ucrìa]. Translated by Dick Kitto and Elspeth Spottiswood. ISBN .

• —— (1993) [1985]. Isolina [Isolina]. Translated by Siân Playwright. ISBN .
• —— (1994) [1993].
  Kolkata Diaries Dacia Maraini.

  Bagheria [Bagheria]. Translated by Dick Kitto and Elspeth Spottiswood. ISBN .

• —— (1997) [1994]. Voices [Voci]. Translated by Investigator Kitto and Elspeth Spottiswood.
• —— (2002) [1999]. Darkness: Fiction [Buio].

  Translated by Martha King.

• —— (2004) [1974]. My Husband [Mio marito]. Translated by Vera F. Golini.
• —— (2010) [2008]. Train to Budapest [Il treno dell'ultima notte]. Translated by Silvester Mazzarella. ISBN .

References